Bihaan Music has been developed with the vision of marketing Indian Classical and Indian Traditional Music.It is the sole company of India engaged in publishing rare classical music for the worldwide listeners.It started with the “Heritage Series”,audio albums of some of the renowned artists of all times like Pt Radhika Mohan Moitra,Ustad Fayyaz Khan,Ustad Sagiruddin Khan, Ustad Bahadur Khan,Begum Akhtar,Pt Shankar Ghosh,Pt Buddhadev Dasgupta, to name a few from the elaborate list of nearly 450 titles.Bihaan Music has also come up with the viable albums of Ustad Rashid Khan,Pt Ajay Chakraborty,Ustad Shujaat Khan,Pt Budhaditya Mukherjee and several other distinguished classical vocalists and instrumentalists.The company is also making a constant effort to provide platform to many young and upcoming artists to exhibit their talents.The “Mixed Melodies”category of the Catalogue of Bihaan Music has been ornamented by regional traditional,devotional and folk...

Glimpses of Senia Shahjahanpur Gharana Vol-5

Instrumental Series | Sarod Recital

In Stock | Product Code : 00065

Prattyush Banerjee

INR 300.00 INR 250.00
Sample Track :

Product Details

Type : Audio CD
Item(s) : 1
Coupling No. : CD-BMC-421
Released : June-2014
Pkg Type : Hard Bound 2-Folder
Net Wt. : 56 gms
Stock : Available
Recording Type :
Ratings : 3
Copyright : Bihaan Music
Mkt Rights : Bihaan Music
Available : All Music Stores

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Roughly 150 years ago three Afgan horsemen Migrated to india and took up commission as solders under the Nawabs and Rajas of REWA , SHAHJAHANPUR and MUZAFFAR NAGAR. They were also Rabab players , and as they lived in india , they ere infiated into TANSEN’s music. Of the three horsemen Gulam Bandegi Khan Bangas sifted in Gwalior. Gulam Bandegi Khan’s Grandsons  Hussain Ali Khan, Murad Ali Khan and Nane Khan were three brothers who converted the rabab into the Sarode. The Middle brother Murad ali Khan was Childless. He left his Gwalior home in search of a talented boy whom he could adopt and train up as a Sarodiya. He finally found an orphan in the colony of sarodiyas at Shahjahanpur and adopted him. This boy grew up into a great sarodiya named Abdulla Khan, and his son Md Amir Khan was the first guru of Pandit Radhika Mohan Moitra. So Radhika Mohan’s talim was from Shahjahanpur and the style was predominantly rabab ang playing full of complex right hand plucking. After Md Amir Khan’s death Radhika Mohan augmented his talim by learning from Md Drabir Khan, thee grandson of the illustrious Md Wazir Khan Beenkar of Rampur. Eventually Radhika Mohan’s style of playing was ablend of the two styles, which come to be known as shahjahanpu Senia style or gharana.

This album illustrates the performances of one of various successor Prattyush Banerjee of Radhika Mohan Moitra.

Prattyush Banerjee is a true twenty first century muisician who has been successfully multi tasking as a performer, music composer and arranger as well as an instrument designer . He is "taking sarod playing to the next level" and has also created his electronic version, Jyotidhwani . He was initiated to the art of sarode playing at a tender age of eight by his engineer father, Prasun Kumar Banerjee later he trained under Shri Samarendra Sikdar. Subseqently, for almost thirty years now, he has been under the coveted tutelage of the internationally celebrated maestro , Pandit Buddhadev Das Gupta. 

1. Introducing by Pt. Buddhadev Das Gupta

2.  Raga Mian-Ki-Malhar Alap and Jor

3.  Raga Mian-Ki-Malhar Dhamar

4. Raga Mian-Ki-Malhar Drut

5. Raga Barati

Accompaniments Name : Ashoke Mukherjee  
Accompaning Instrument : Tabla  

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