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Expression-- Thumri ki Rasa Bhav

Vocal Classical | Vocal Recital

In Stock | Product Code : 00065

Aditi Banerjee

INR 300.00 INR 250.00
Sample Track :

Product Details

Type : Audio CD
Item(s) : 1
Coupling No. : CD-BMC-377
Released : December-2013
Pkg Type : Jewel Box
Net Wt. : 80gms
Stock : Available
Recording Type :
Ratings : 3
Copyright : Bihaan Music
Mkt Rights : Bihaan Music
Available : All Music Stores

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DETAILS of SONGS:

Thumri – Raga Misra Tilang

-  Taal – Deepchandi – Title: “Ankhiyan Rasili Tori Shyam”  Dur: 16:14

Description: Radha is mesmerized by the beauty of Krishna’s expressive eyes. Krishna wins over the hearts of “Brij Naari”  i.e. Radha. 

 

Dadra – Raga Misra Jhinjhoti

– Taal – Dadra – Title: “Haan Piya Jaao”  Dur: 10:32

Description: Lyrics express a dejected Khandita Nayika who is angry and sad as her beloved is comes home at dawn, spending the night elsewhere.

 

Dadra – Raga Misra Maru Bihag

– Taal – Kaharwa – Title: “Kanhaiya Se Kahiyo Mori Ram Ram” Dur: 12:03

Description: Radha with anger and sorrow in her heart bidding adieu to Krishna, who has betrayed her by not coming to meet her, despite the letters she had sent through her messenger.

In the concluding stanza, Radha draws simile between soothing beauty of the moon to beauty of her beloved, Krishna.

 

Dadra – Raga Misra Jogia

– Taal – Dadra – Title: Din Beet Gaye Baalam” Dur: 8:58

Description:  The beloved has gone to distant lands in search of riches and fortunes but has not returned. It is the season of monsoon and the Nayika is restless and longs for the return of her beloved.

 

Jhoola – Raga Misra Tilak Kamod

– Taal – Kaharwa – Title: “Jhoola Dheere Se Jhulao”

Dur: 12:35

Description:  A description of the Jhoola [Swing] festival in the monsoon season. Radha & Krishna are seated on a swing and Radha beseeching Krishna to be gentle with the swing.

 

Bhajan/ Dadra – Raga Misra Bhairavi

– Taal – Kaharwa – Title: “Sainyan Nikas Gaye Mein Naa Ladi Thi” Dur: 10:24

Description: A composition believed to be written by Saint Kabir’s daughter, Kamali. It can be considered as a Bhajan or a Dadra.

Aditi received training in Classical music and Rabindra Sangit from Late Shri Neel Madhab Sinha. She then received training under Shri L.K. Pandit of the Gwalior Gharana in Delhi.

In Mumbai she learnt Lt. Classical Music under Late Padmabhushan Smt. Shobha Gurtu for 14 years and accompanied the thumri queen for her performances all over India.

She stood first in M.A. (Music) at Delhi University and M.Phil. (Music) from Delhi University in 1987 with distinction, on her subject – “Influence of Tappa on music of Bengal”.

Aditi has performed at several concerts in

  • MUMBAI: N.C.P.A., Dadar Matunga Cultural Centre, Kalabharati, Bhavan’s Cultural Centre and also in “Purab Ang Gayaki Utsav” held in Delhi, Benares, Kolkata, and at “Yaadein Bismillah” in Benares and also have performed in Pune, Bangalore, Vadodara.
  • She received a certificate of appreciation from Smt. Girija Devi.
  • She is a graded artist of A.I.R. and Doordarshan, Mumbai.
Aditi’s repertoire includes:
HINDUSTANI CLASSICAL VOCAL: Khayal, Tappa, Thumri, Dadra, Hori, Chaiti, Baramasa,  Ghazal, Bhajan, etc.
RABINDRA SANGIT, NAZRUL GEETI, BENGALI RAAG PRODHAN, BENGALI TAPPA

Tracks                                      Duration

Ankhiyan Rasili Tori Shyam            16-14
Haan Piya Jao                             10-32
Kanhaiya Se Kahiyo Mori Ram Ram   12-03
Din Beet Gaye Baalam                     8-58
Jhoola Dheere Se Jhulao               12-35
Saiyan Nikas Gaye Mein Naa Ladi Thi 10-24

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